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We offer a wide range of exhibitions throughout the year featuring local, regional and national artists. Exhibitions in our Mary and Al Shands Gallery generally run for three months while exhibitions in the Steve Wilson Gallery and Lindy and Bill Street Gallery run two months. We have an ongoing selection of works from our Permanent Collection in the Brown-Forman Gallery, which is located adjacent to the Education Center on the 3rd floor.

2009 Gig Posters: The Art of Contemporary Music Promotion
Location: Mary & Al Shands Gallery
Date: Friday, March 6, 2009 - Saturday, May 16, 2009
Time: 12:00 PM - 12:00 PM
Contact: admin@kentuckyarts.org
More information: Click Here!

Event description:

The best concert posters have always captured the essence of the music that they promote, the spirit of the time in which they were produced and the creative qualities of the artists who produced them. This is as true today as it was in San Francisco during the heyday of concerts promoted by Bill Graham at the Fillmore.

Listening to music live, whether in a club or concert hall, is an experience that can only truly be shared by the participants - namely the band and audience. 

A gig poster, which can serve to both advertise and commemorate an event, is a talisman of the experience and represents a tangible connection to the two or three hours of shared cultural experience. For those lucky enough to be at a concert in person, a gig poster serves to validate the experience. For those who could not be  in the audience, a gig poster provides a visual connection to the music and by extension, the creative mind of the artist who produced the poster design.

 

Click here to buy posters in the shop!


This exhibition features some 70 or so artists from around the globe. Most of them are independent, small business men and women who have found a way to combine their love for music with their skills as artists into a fascinating art form. Live music is creative, organic and made by hand, I think show posters should be too, says Jake Early from Tempe, Arizona.  Posters are a traditional form of public communication that I don t want to see disappear - and they provide a perfect canvas for visual artists.


 

The bands represented are some of the most popular and well recognized of the day and most of the posters have been produced in the 21st century. Louisville s own My Morning Jacket is heavily represented in the exhibition and served as the foundation for my research. As musical artists MMJ wholeheartedly embrace, encourage and commission gig poster from visual artists across the country. The passion that is shown by their devoted fan base is represented in the popularity of gig posters that feature the band which are among some of the most highly collected.


 

Careful reading of the posters will reveal bands and music venues that most will not be familiar with. Flanger Garden is from Mexico. Heligoland is from Australia. 2 Up is from Japan. Kenneth Ishak is from Norway. Certainly none are household names but all were the inspiration for powerful and creative gig posters. Some iconic venues appear such The Fillmore in San Francisco and Radio City Music Hall in New York, but I specifically sought out music venues in a range of cities across the globe as they provided an introduction to local poster artists and bands. I discovered fabulous venues of all shapes and sized including The Last Train, The Villa and Hell s Kitchen in Oslo, Salla Rossa in Montreal, The Rathausbunker in Kiel, Germany and The Broken City in Calgary, Alberta.

The media of choice for the gig poster artist is the serigraph or silkscreen. This time consuming process, which can utilize anywhere from 2 to 8 different colors of ink applied to each image, has a wonderfully rich and tactile feel. Graphic screenprinting is often preferred over other processes such as dye sublimation or inkjet printing because of its relative low cost and the ability to print on many types of media. Many artists do their own printing while others create the designs and leave the actual printing to printing studios such as Diesel Fuel Prints in Portland Oregon who publish posters for a wide range of artists and musical groups.

Most screenprinted work is produced in relatively small runs. In this show you will find editions as small as 10 and as many as 500. When hand printed and pulled the editions are usually signed and numbered and limited to a specific edition total. Once they are gone, they are gone and some of the posters in this show, including Blondie from Hero Design Studio and   My Morning Jacket from Ron Jasin, have reached the end of their print runs and are no longer available for purchase. It in not uncommon for the retail price of a poster from a limited print run to increase as the artist comes near the end of a print run supply and demand are at work and savvy collectors know to buy early and save. There are a few artists proofs on display. They represent a short print run in addition to the editioned prints and are usually produced while the artist is fine tuning the printing process.

Posters can be commissioned by a particular promoter, a venue, a band or simply created as an artistic exercise by the artist. Some are produced for mass circulation and these are usually printed using offset lithography printing. A number of posters in the show were sent to me from afar as digital files and have been printed locally. More and more, one sees the influence of computer design programs in the design of gig posters and printing techniques in their production. 

What I hope each visitor will take away from this exhibition is a greater appreciation for the richness and diversity of creative expression that comprises this fascinating and diverse artistic community. If you really fall for a particular poster, we encourage your to buy it, take it home and share it with others. And perhaps you will spend some time searching out and listening to music by any of the wide range of artists are represented on these walls. If you do any or all of those things, I will have done my job.

Gig Posters Participating Artists:

Jorge Alderete

AESTHETIC APPARATUS

Mark Arminski

Nicholas Belayew aka TCHIKTCHAK

R. Black

bMethe

Travis Bone FUR TURTLES SHOW PRINTS
Bongout

David Brooks

THE BUBBLE PROCESS

Guy Burwell

Marcos Cabrera la Tragedia

Peter Cardoso

CRICKET PRESS Brian & Sarah Turner

Nick Crnko

Brian Cummings

Israel Davis

Tyler Deeb

Richard Del Rancho

Jake Early

Jason Early

El Jefe Design

EMEK
Benjamin Estrada

FARM BARN ART CO.

Michael Flückiger

Randy Fung

Jeff Gaither

Sindre W. Goksoyr

GRAVITY INK J. Irvine / T. Schroeder

Bill Green

Dan Grzeca

Gaspard le Guiniou Arrache Toí unoeil

Pat Hamou

Justin Helton

Hero Design Studio

Sean Higgins

Julie Hill

GARY HOUSTON DESIGN

Luke Howard

Ron Jasin - MADPIXEL

Amy Jo

Patrick Jones

Justin Kamere ANGRYBLUE

Are Kleivan

KRAKEN

Lars P. Krause

Jens Jørgen Krogsveen

Dana Krusche

Mig Kokinda

John P. Lackey

Edmund Lam

Chris Leskovsek - Nadameansnothing

Ron Liberti

Loli Rocco Luna

Julie Mc Lauglin

Robert Marx

METHANE STUDIOS, INC.

Tara McPherson

MISS PINNY

Steve Mockensturm

Jason Munn THE SMALL STAKES

Anna Martine Nilsen

Ben Nunery

Sveinbjorn Palsson

Christian Peters SUN ART

POWERHOUSE FACTORIES

Jay Ryan

SERIPOP

Trygve Sørli

Mark Spusta

STEUSO

Diana Sudyka

Tetsunori Tawaraya

Kristen Thiele POSTERGIRL PRESS

TINY LITTLE HORSE

Pascal Tremblay

Miles Tsang

Junichi Tsuneoka

Alana Twelmeyer

 

Exhibitors

Turner, Brian
Turner, Sara

Images From Event

 

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